Masterclass - Zero to Hero Color Grading for Filmmakers Pt.1

  • CategoryOther
  • TypeTutorials
  • LanguageEnglish
  • Total size3.2 GB
  • Uploaded Byfreecoursewb
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  • Last checkedApr. 04th '25
  • Date uploadedApr. 04th '25
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Masterclass: Zero to Hero Color Grading for Filmmakers Pt.1

https://WebToolTip.com

Published 3/2025
Created by Joddy Eric Matthews
MP4 | Video: h264, 1280x720 | Audio: AAC, 44.1 KHz, 2 Ch
Level: All | Genre: eLearning | Language: English | Duration: 21 Lectures ( 6h 14m ) | Size: 3.2 GB

Masterclass: Color Grading for Directors and Producers in Davinci Resolve and Premiere Pro - Part 1 Color Management

What you'll learn
Helping Producers and Directors to understand effective Color Management Workflow and Best Practices for achieving Cinematic Color
Create great-looking imagery by learning color management workflow, techniques, grading, and strategies that will help you become a better filmmaker
How to understand specifications for Netflix delivery
Learn to work with both display-referred and scene-referred management including ACES, setting up SDR and HDR projects, using DaVinci Wide Gamut
Learn to match camera profiles with (CSTs) Color Space Transforms
Using DCTLs to establish Color Management
Using LUTs in Color Management
How to Create Camera and SHOW LUTs
Using LUTs in the VFX Workflow
Understanding NITs, HDR, and Bit Depth Explained
Intro to the ACES Color Management Workflow

Requirements
Basic understanding of Digital Cinema Camera production
Davinci Resolve 19 or higher, or Adobe Premiere Pro (25 or higher), Resolve Studio needed for DCTLs
Any software that uses Color Management Workflow

Files:

[ WebToolTip.com ] Masterclass - Zero to Hero Color Grading for Filmmakers Pt.1
  • Get Bonus Downloads Here.url (0.2 KB)
    • ~Get Your Files Here ! 1 - Introduction
    • 1 -L1.1 Color Management Introduction.mp4 (43.3 MB)
    • 1 -MASTERCLASS COLOR GRADING FOR FILMMAKERS - Color Management PT1.pdf (1.1 MB)
    • 2 -L1.2 Terminology.mp4 (178.9 MB)
    • 3 -L1.3 Workflow.mp4 (282.8 MB)
    2 - Scene versus Display Referred, Codecs Explained
    • 1 -L1.4 Scene vs Display Reference.mp4 (151.3 MB)
    • 2 -L1.5 Display Codecs.mp4 (87.0 MB)
    3 - Workshops
    • 1 -Davinci Projects.url (0.1 KB)
    • 1 -Project File Assets 1.url (0.1 KB)
    • 1 -Project Files Assets 1.url (0.1 KB)
    • 1 -W1.1 Producers and Directors Guide to Using LUTs.mp4 (205.9 MB)
    • 2 -Davinci Projects.url (0.1 KB)
    • 2 -Project File Assets 1.url (0.1 KB)
    • 2 -W1.2 Quick Dirty Color Management - Using LUTs.mp4 (182.5 MB)
    • 3 -W1.2a Color Management Using DCTLS.mp4 (49.4 MB)
    • 4 -Masterclass Display Referred DCTL.drp (29.4 KB)
    • 4 -W1.3 Matching Cameras Using DCTLS.mp4 (117.3 MB)
    • 4 -open a DaVinci Resolve project.txt (0.5 KB)
    • 5 -Masterclass Display Referred CST.drp (27.3 KB)
    • 5 -W1.4 Matching Cameras Using CSTs.mp4 (173.1 MB)
    • 5 -open a DaVinci Resolve project.txt (0.5 KB)
    4 - Creating a Project with Mixed Footage Scene Reference Project Creation
    • 1 -L1.6 Scene Referenced.mp4 (84.8 MB)
    • 2 -L1.7 Creating a Display Referred Project with Mixed Footage.mp4 (268.1 MB)
    • 3 -L1.8 Resolve Color Management (RCM) and CSTs.mp4 (140.3 MB)
    • 4 -L1.9 Intro to ACES.mp4 (99.2 MB)
    5 - HDR and Understanding Netflix Color Management
    • 1 -L1.10 What is HDR.mp4 (55.5 MB)
    • 2 -L1.11-12 Buyer's Guide - NITs & Reference Monitors (What to Buy).mp4 (211.6 MB)
    • 3 -L1.13 Netflix Color Management.mp4 (158.8 MB)
    • 4 -L1.14 Using Color Wheels in SDRHDR and Wrap-Up.mp4 (81.7 MB)
    • 4 -MASTERCLASS COLOR GRADING FOR FILMMAKERS - Color Management PT1.pdf (1.1 MB)
    6 - Additional Content Creating LUTs, Color Management in Premiere, Color Palettes
    • 1 -Creating a simple LUT.mp4 (315.5 MB)
    • 2 -Creating an advanced LUT.mp4 (310.3 MB)
    • 3 -Developing Look Book or Mood Board Color Palettes for Directors using DCTLs.mp4 (81.1 MB)
    • 3 -MASTERCLASS COLOR GRADING FOR FILMMAKERS - Color Management PT1.pdf (1.1 MB)
    • Bonus Resources.txt (0.1 KB)

Code:

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